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Rapsodi is a collage about individuals interpreting happiness in their own unique ways. From a young child on a film set, a group of aspiring stars in the midst of rehearsals, a girl at a yoga practice, to the conversation of two friends in an unexpected place. Inspired by a song by Laleilmanino, each segment is a distinctive exploration of the meaning of the word “Rapsodi” itself.

"...In the film, Wilkerson presents four interviewees. Two are widows whose family members (one husband, one son) were Afghan vets who committed suicide. The other two are women who lost family members because Detroit Edison turned off their electricity during the winter. Wilkerson does nothing to draw parallels between these two forms of injustice. Rather, by simply juxtaposing the women’s stories, we are able to see how systematic indifference to human life takes multiple forms, but comes back to the same root causes, and how we are indeed fighting the same war against the poor and disenfranchised at home and abroad – ici et ailleurs. – Michael Sicinski, Mubi Notebook.

A meditative exploration of memory, consciousness, and the impermanence of self. Fragmented particles visualize the drift of thought and the dissolution of identity, reflecting the intimate yet universal experience of mental and temporal fragility.

Tatjana is lonely. Born in Croatia, she has lived across Europe before settling in Amsterdam. Fifteen years later, her teenage son avoids bringing friends home, embarrassed by her dreadful Slavic accent and her lack of Dutch composure. But the real trouble is bigger: Tatjana feels foreign everywhere. Determined to belong, she starts knocking on doors across Europe, asking relatives and friends how they did it. Stumbling through cultural misfires and everyday bias, she finally confronts a dark pattern in her own family history.

Two hearts navigate the shifting tides of love, marriage, and self-discovery, as their relationship teeters on the edge.

Our faith is based on the New Testament – but can we trust it? Skeptics say no, arguing that the gospel manuscripts have been doctored to push a theological agenda. Join Dr. Craig Evans as he takes this claim head-on, traveling the globe to track down the oldest surviving New Testament manuscripts.

Kati, a nine-year-old girl whose mother is suffering from an incurable illness. She must go through steps of happiness and sorrow, bonding and separation, having her hopes fulfilled and losing something she loves.

Japanese comedy directed by Noriaki Yuasa.

An idealistic young law professor (Paul Provenza) clashes with the old bull of the faculty (Brian Keith) while developing an attraction to a shy colleague (Wendel Meldrum).